In an inspiring afternoon, we sat down with Paolo Posarelli, co-founder of the studio LDA. iMdA, to discuss how greenery and listening to both the environment and clients are at the heart of their design philosophy. From the idyllic Biolago in Castelnovo Val di Cecina to the House in the Garden, each project tells a story of harmonious integration between nature and architecture, emphasizing the importance of greenery not just as a decorative element but as the pulsing heart of design.
LDA. iMdA was born in 2000 with the aim of exploring the dialogue between architecture and the environment on various scales, from private houses to school districts. We strongly believe in the importance of an approach that considers greenery not just as an ornament but as a true design tool.
In the Biolago, for example, plants are not just an aesthetic element but actively participate in the water phytoremediation process. This underscores how greenery can have an important functional role in design, actively contributing to the well-being of the environment and people.
There's a greater awareness of the importance of greenery as a design tool, but this perception still needs to spread more widely. I believe it's fundamental to communicate the added value of greenery better, not just in aesthetic terms but also functional, especially in a context of climate change.
"Listening" is the keyword. Listening to the environment, the clients, nature. This active listening allows us to integrate greenery in a way that not only visually enriches the space but also improves its livability and sustainability.
Through this conversation with Paolo Posarelli, the commitment of LDA. iMdA to create projects that are both innovative and respectful of the environment clearly emerges, demonstrating that architecture can and must go hand in hand with nature. Each project is a testimony to the importance of listening and integrating greenery, not just as an aesthetic choice but as the foundation of conscious and sustainable design.
Interview conducted by Giorgio Tartaro